Tsuka: An Exhibition of Contemporary Japanese Photography
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Tsuka Installation View - Matthew Stanton
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Chikako Enomoto - Tsuka Exhibition Opening
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Mayumi Suzuki - The Restoration Will
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Risaku Suzuki Kyozuka, Kumano
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Hajime Kimura - Kodama
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Go Itami Photograph
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Hajime Kimura Snowflakes Dog Man
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Hiroshi Hatate Tama-Chan
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Chikako Enomoto Daedalus
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Yusuke Yamatani Into the Light
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Risaku Suzuki Sakura
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Tsuka Fundrasing Auction
Mayumi Hosokura Kazan
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Kazuma Obara Silent Histories
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Tsuka Installation View - Matthew Stanton
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Chikako Enomoto A Cuckoo's High
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Yusuke Yamatani RAMA LAMA DING DONG
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Mayumi Suzuki The Restoration Will
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Daisuke Morishita Asterisk
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Mayumi Hosokura Trailer
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Hajime Kimura Snowflakes Dog Man
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Yusuke Yamatani Into the Light
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Daisuke Morishita Asterisk
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Daisuke Morishita Asterisk Install
Mayumi Hosokura Kazan
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Kazuma Obara Silent Histories
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Tomoki Imai Semicircle Law
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Kenji Chiga Suppressed Voice installation view - 2018
Risaku Suzuki, Kazuma Obara, Tomoki Imai, Kenji Chiga, Mayumi Hosokura, Chikako Enomoto, Hiroshi Hatate, Daisuke Morishita, Mayumi Suzuki, Hajime Kimura, Yusuke Yamatani, Go Itami, Yoshinori Mizutani, Asako Narahashi, Shingo Kanagawa, Yuji Hamada, Hiroyuki Takenouchi, Hiromi Kakimoto, Yoshikatsu Fujii, Masako Tomiya, Kosuke Okahara, Keiko Nomura and Yasutaka Kojima.
Centre for Contemporary Photography, Melbourne, Victoria: June 8 - July 15
Museum of Innocence, Mildura, Victoria: July 21 - August 18
Just as the images start to make sense, as history begins to be known, more pieces of the puzzle start to appear. We find ourselves navigating maps and craning to understand the machinations of this event. Drawings, diagrams, gas masks and documents give the viewer a sense of decoding, of unscrambling something that shouldn’t make sense. I hold my breath, and then release. What about the rabbits?
That’s why I’m stressing that none of these projects are going to be cliche. People need to understand that Japan isn’t just about Mt. Fuji and geishas. There’s other layers and I think it’s important to show the complexity of that. And in photography there’s so much interesting work that’s not about the usual people that we know. I think that’s important that that’s driving the project to show the complexities.
In the book, there are few moments of respite with an empty page featuring either an asterisk or text from the photographer himself. The former signifies if nothing else…nothingness, while the latter serves an effect similar to the Stephen Shore’s The Nature of Photographs not only in terms of language but as a primer.
In this interview, Shingo Kanagawa speaks about the process behind his well received book Father, the motivation behind it and continuation of the project. He also kindly shares with us some images from an upcoming project about his aunty, and touches on his plans to explore the idea of faith.